The work of Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a darkly funny standoff unfolds – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film releases in British and Irish theaters from 17 November.
